Find something on display: Africa, Asia, America, Pacific

This hair pin has four long prongs and a spoon-shaped handle, which has been described as a snuff ladle.

This is a Congo ceremonial sword used among the Ngombe, Ngbandi and Lokele peoples.

Small dagger in gold-covered scabbard collected in 1821-26.

Small dagger in gold-covered scabbard collected in 1821-26.

This embroidered cap appears traditional in its design but look closely and you’ll see a modern reference to a car. This cap was likely given with the Qur’anic board as part of a celebration of a pupil’s achievement at school.

The weapon with double-balled handle and openwork decoration on the blade is from the Akan area of the Gold Coast and probably an Ashanti sword, likely an Akrafena style.

The smaller headrest is typical of the Ashanti people in the former Gold Coast, now Ghana. It is decorated with a wash of blue pigment. The larger headrest follows the Ghanaian shape but has elements of southeast African decoration. Cross-cultural styles like this were used in South Africa. The original black paint has worn with use.

Headrests were used by African men of fairly high status and were significant personal objects, protecting the owner’s head and hairstyle.

Thank you to our visitors and members of the community who informed that The Beaney had mislabelled these items as both being head rests, when in fact the larger item was a stool.

These dried and decorated gourd rinds are of the Hausa people.

The pot was formed by pressing clay into an earthen hollow, making two half-rounds then joining them together and smoothing by hand. It sits on a ring when carried on the head. The jug is used for washing before entering a mosque.

This is an example of a Qur’anic board from the Hausa people of Northern Nigeria.

Captain J Graham brought back three spearheads and two spears described as ‘small’ but with shafts so long they had to be broken for transport. One spearhead was said to have belonged to the Khalifa, the Mahdi’s successor.

The sword, which would have belonged to a soldier in the Islamic Madhi Army, has a broken blade.

Two of the Yoruba sculptures are ritual ‘deceased-twin substitute’ carvings. The third is a small figure with distinctive hairstyle. Such African sculptures, with bold abstract features, have had a huge influence on modern artists. The doll is Ashanti from Ghana and would be carried by a pregnant woman to promote beauty in her unborn child.

Ghana is a centre of gold mining, and the Ashanti are best known for their intricate tiny brass sculptures used to weigh gold.

These Jibbah or Jibbeh tunics belonged to officers in the Islamic Mahdi army. They are made from strips of hand-spun and woven cotton with appliqué of coloured woollen patches. The frugality of these garments and their clear re-use of textiles accord with the Islamic principles of humility and poverty adopted by the Mahdists. The patterned design of these tunics helped make Mahdi officers visible to their troops in battle.